The concept of acoustical and motional impedance had been conceived and applied to the design of transducers several years before the acoustical society was founded in 1928. It seems appropriate at this time to review some of the individuals and their developments which contributed to the advancement of transducers by application of the impedance concept. A. E. Kennelly, G. W. Pierce, and A. G. Webster introduced the terms “motional impedance” and “acoustical impedance.” The word transducer is now a generic term denoting conversion. The work of Wente, Rice, Kellogg, Maxfield, Harrison, Thuras, and others preceding 1930 will be outlined as well as how they used the impedance concept to predict transducer performance providing the basic concepts which others were to use later to extend frequency range and efficiency. In the period between 1930 and 1940 the application of transducer design was expanded to many fields of electroacoustics. Wente, Thuras, Olson, Hilliard, and Klipsch contributed to improvements in sound reproduction for audience and home reproduction.